This Is My Home from Mark on Vimeo.
Labels: vimeo
20 February 2012
Enjah and Os dancing about for a few minutes at claudia222 Jewell's sublime Spirit installation on the Art Screamer sim.
Rez zone
DPW vehicles
Unttan. Didn't see a train.18 February 2012
Duck finding his way on Aditi by means of the new pathfinder tools. One thing I will use this for is moving a camera for machinima. Thank you, Linden Lab!
Labels: Aditi, Ducks, pathfinding
Labels: Bad Persons Bureau, Intarwebz
Pathfinding tools! W00t! Thank you, Linden Lab.
Testing now on Aditi - try 'em!
Labels: yootoob
17 February 2012
- [15:35] Shadowen Silvera: I am guessing it's not like using the physics engine where they lose energy?
- [15:35] Falcon Linden: they do use the physics engine, but they do not use any energy-related rules
- [15:35] Johan Laurasia: right, not physical at all Shadowen
- [15:35] Johan Laurasia: oh...
- [15:36] Motor Loon: like the energizer bunnie... they just goes and goes and goes... and...
- [15:36] Falcon Linden: the energy stuff was all our code, not in the physics engine
- [15:36] Midice Holfe: this is pretty exciting news.... cant wait to play with..
- [15:36] Sigma Avro: Path finding system events ? whish one are they ? Update of the patfinding functions ?
- [15:36] Miguael Liamano: they aren't physic. more like a minirail train.
- [15:36] Ima Mechanique: Motor, more like zombies I think ;-)
- [15:36] Johan Laurasia: so a rat that finds it's way though a maze should be possible?
- [15:36] Shadowen Silvera: by the I meant SL's
- [15:36] Falcon Linden: sigma: path_update event
- [15:36] Falcon Linden: johan: absolutely
- [15:36] Lorca Linden: also : no need to worry about "script energy" with pathfinding, objects can go up inclines follow across region boundries etc
- [15:36] Sigma Avro: how often they occur ?
- [15:36] Johan Laurasia: schweet
- [15:36] Sigma Avro: Falcon ?
- [15:36] Falcon Linden: sigma: when something notable happens
LL press release:
Linden Lab Acquires Game Studio LittleTextPeople
Technology and Team Join Linden Lab to Support Company’s Strategic Initiative to Launch Innovative New Digital Entertainment Products This Year
SAN FRANCISCO, CA — (February 16, 2012) — Linden Lab®, the creator of digital spaces and tools for shared creativity and fun, today announced it has acquired LittleTextPeople, a game development studio that specializes in writing, programming, and designing next-generation interactive fiction.
Best known for Second Life®, Linden Lab will grow its digital entertainment offering by launching several new stand-alone products this year. Now part of Linden Lab, the talent and technology of LittleTextPeople will support the development of these new forms of interactive entertainment.
“It’s an exciting time to join Linden Lab as they prepare to roll out entirely new types of social experiences and products,” said Emily Short, Chief Textual Officer of LittleTextPeople. “We look forward to building tools and technology that will allow people to create their own stories in interactive mediums that have never existed before.”
“LittleTextPeople brings a depth and breadth of AI and interactive story development expertise that is a great fit for Linden Lab as we launch multiple new products,” said Rod Humble, CEO of Linden Lab. “The result of this investment will be a new type of digital entertainment that modernizes the novel as a shared story-telling experience.”
About LittleTextPeople
Founded by Emily Short and Richard Evans, LittleTextPeople explores the gameplay possibilities of nuanced social interaction. The company’s core technology is a simulator able to model social practices and individual personalities. Combine the simulations with the expressive freedom of fiction and the result is gameplay that more closely resembles the rich emotional dialogue of a novel, rather than a fight scene in an action movie.
On the Paper
I woke up a couple of hours ago with a drippy nosebleed and I need to stay off the carpeting until it stops. I think it's a jin shin thing.
New hair needs a bit of work. I made some wrinkles, which also need work but the mouth wrinkles are not bad.16 February 2012
Cousin Duet
Labels: yootoob
Sneak Preview: Pathfinding in Second Life from Linden Lab on Vimeo.
Labels: Ducks, spiders birds, Sporks, Yaks, zombeh
These aren't black and white, by the way. This is just what it looks like right now.
15 February 2012
Amusing in a mild sort of way. Good-hearted.
Labels: Netflix
Anchor in a mesh jacket and mesh boots, primping for his part in Enjah's noir film. He's the (a?) victim.
Could be worse. Mesh trousers would be nice. New hair is needed, truthfully. What do you think, Enj?Labels: Machinima
Enjah wrote: 'I have always had a postively mad love of paper. Pencils, crayons, pastels, charcoal, brushes, whatever, as long as paper is involved, it is magical for me. WHOA breakthrough! Thanks for posting this. Now I understand some of my reluctance to work on canvas. Not only is it physically taxing, but it is NOT PAPER LOL' - which I can understand as I love paper, too. One of the best ever quotations about art, from Man Ray, is 'An artist must have contempt for his materials.' That is, we must be willing to sacrifice raw materials and lavishly squander without a thought costly and entirely wonderful things. My mother loved paper to the nth degree, so much so that it was hard for her to sully it with her own scrawls. It was already perfect, and in an undamaged block, with its sensual smell and feel, could not be added to but only detracted from by human endeavor.
One of the supreme joys of being an artist, and one that must be overcome, is that all our materials are a delight. We learn not to love the materials less, but to file that love away at times lest it impede us in our expression.
I *love* pencils and my students would always laugh when I talked about the wonderfulness of pencils and paraphrased from the book 'The Pencil,' which they seemed to feel was a fine joke. I can therefore get behind this:
David Rees Shows You How To Sharpen A Pencil from Gothamist on Vimeo.
Also I always wrote with fountain pens in the 70s and 80s, and took all my university notes, for instance, by fountain pen. I wrote bazillions of letters, too, and since the ink was water-soluable and I lived in the moment it's all faded/washed away now. I didn't like ballpoints as they were too slippery.
I liked using sealing wax, too, but that isn't peculiar.
Labels: Os iz Weird, vimeo
Don't Read This
I'm warning you - don't. I'm just thinking.
Although I never, ever wanted to work in a school I ended up working part time in a unique school for Native American students (developing and running a program for gifted art students) after I became ill with m.s., as it was something I could do and I needed a job. No, it didn't have health insurance until maybe ten years later when Tiff was principal, but it kept body and soul together for which I am grateful. Anyway, the interesting thing for me is that I had always considered myself entirely inadequate, the things I had mistakenly done or miserably failed to do resulting in unforgiveable culpability. As I worked with the children I realised that nothing they did could be unforgiveable. They were tiny children, for God's sake. It was quite healing, although I admit it sounds sort of stupid that I didn't know that before.
Recently I was thinking about how far back in time I'd have to go before I would be physically all right, and decided I'd have to go back prior to an accident I had when I was eight. Galloping downhill on what was to someone of my puny size an oversized horse, I fell off whilst hunting, going over a jump (specific type a 'chicken coop' which is an inverted V shape) and was trodden on. My horse obviously made his best attempt not to put all his weight on me and must've quickly shifted it, but my right ribcage was rendered concave, and remains that way. At eight one's bones must be malleable to a degree. The inadequacy of my supreme failure dogged me - well, still does to a degree - but just last week (slow, I know) I suddenly realised that although I couldn't see at all (I was frequently in trouble at school because I couldn't see) I didn't get my eyes checked and glasses prescribed until I was nine or so. My eyes are rotten, possibly not helped by having my nose perpetually in a book from age five on. So when I had this unforgiveable lapse at the age of eight I couldn't actually see anything. Relevant information.
A slow reveal - amazing. It's like someone says, 'I'll give you an orange for that pencil of yours,' but you refuse, and he says, 'I'll give you an orange AND a drawing tablet,' then 'An orange, a drawing tablet AND A PAIR OF SCISSORS,' then 'An orange, a drawing tablet, a pair of scissors, AND A FORD THUNDERBIRD.' At some point it becomes fun just to see how the ante will be raised. In this case it's like, 'I'll trade you 8-years-old for your feeling of guilt,' then 'I'll trade you 8-years-old, unable to see, etc. for your feeling of guilt.' Only the person trading is me, and I'm offering myself things. It's another type of weird that I'm the only one here - everyone else is dead and probably never gave it a thought anyway. It seems to spiral down to an infinitely small and dense black hole of meaningless guilt and habit. As well as a Ford Thunderbird I want a trip around the world. What am I offered?
Labels: Cogitation
Ugh, remind me never to read long and informative Traumatic Brain Injury stuffs :-(((((((
*tries to distract herself by looking out the window*
Labels: Cogitation
14 February 2012
6.0 off the Oregon coast just now.
Labels: earthquake

Vote for meeeeeeee http://community.secondlife.com/t5/Capture-Love/Lost-Love/cns-p/1380425 or someone else!
- 


